/Stories through film, motion design, and 3D.
Generative work, 3D scenes, audio-reactive systems, and hardware-driven visuals. The studio's working archive.
OPEN VIMEO ↗ @kudre7Hardware synths, pen-plotter drawings, lab snippets. Posted irregularly, made constantly.
OPEN INSTAGRAM ↗About me
For the last few years I've been working at Cancer Council Victoria in the Prevention Division, producing video content for public-health campaigns including Smokefree, Lung Screening, Food Fight, Kids Eat Well, and the Achievement Program.
Before CCV, I collaborated with leading Melbourne-based and international agencies, producing motion design and brand campaigns for global clients like Samsung, Optus, Coles, and Medibank. I started my career in Istanbul broadcast television in the early 2000s.
Beyond commercial work, my studio is a dedicated lab for creative experimentation. I work with hardware synthesizers, build audio-reactive visual systems, and produce work as a pen-plotting artist — algorithmic drawings made by ink on paper.
A 30-minute call to understand the story, audience, and constraints. Within 48 hours you'll have a written scope, timeline, and a flat or day-rate quote — whichever suits the work better.
Filming, motion, and sound. You review structured cuts at key milestones, ensuring the narrative stays on track.
Master plus cutdowns for every channel you need — broadcast, social, internal — captions, organised project files, and a 7-day window for minor changes after sign-off.
Day rate, project flat fee, or retained — whichever fits the work. After a 30-minute discovery call I send a written scope and quote within 48 hours so there are no surprises.
Usually two to four weeks out from a confirmed brief. I keep a small queue on purpose so each project stays focused.
Yes. Based in Melbourne (AEST). I work across AU, EU and US time zones — most of my CCV work is hybrid remote and on-set, and I'm comfortable running shoots solo or with a small crew.
The projects that fit best require a mix of video production and graphic design. I enjoy handling the practical side of a campaign—from on-location filming and editing to creating the supporting digital and print materials. My focus is simply on delivering clean, accessible work that meets the team's needs on time.
Both. One-off commissions are welcome, and I also retain a couple of monthly clients for steady motion and video work. If you have a longer pipeline, ask about a retainer.
Book a 30-minute discovery slot on the calendar, or send a line by email.
▦ Book a 30-min call